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"My immediate reference point for this overwhelming experience was when I went to see Kara Walker’s Walker show back in the 90s (can’t remember what year). This was one of Walker’s first big solo shows and I hadn’t even heard of her. I just walked in by happenstance and my first reaction was, “Ugh, how boring, 19th century silhouettes” but it was of course a trap: Before I knew it I had entered into the space of Walker’s sadistic fantasia and there was no way out."
I’ve had the word ‘Necropastoral’ in my browser tab for the last week reminding me to read this interesting review / Necropastoral Parades: Nathalie Djurberg - Montevidayo
